CHAPTER ONE continued...
But why had the constellation system introduced by Eudoxus not been updated by
its makers to take account of the changing position of the celestial pole? As
we have seen, the constellations introduced by Eudoxus and described by Aratus
in the Phaenomena refer to the position of the celestial pole around 1000 years earlier. By the
time of Aratus, the shift in position of the celestial pole meant that certain
stars mentioned in the Phaenomena were now permanently below the horizon from latitude 36 degrees north, while
others not mentioned by Aratus had by then come into view. Oddly, Eudoxus
himself seems not to have been bothered by these anomalies, if he even noticed
them; but the great Greek astronomer Hipparchus (fl.146–127 BC) recognized the differences and was understandably critical.
Professor Archie Roy of Glasgow University has argued that the Babylonian
constellations reached Egypt (and hence Eudoxus) via some other civilization;
he proposes that they were the Minoans who lived on Crete and the surrounding
islands off the coast of Greece, including Thera (also known as Santorini).
Crete lies between 35 and 36 degrees north, which is the right latitude, and
the Minoan empire was expanding between 3000 and 2000 BC, which is the right date.
What’s more, the Minoans were in contact with the Babylonians through Syria from an
early stage. Hence they must have been familiar with the old Babylonian
constellations, and they could well have adapted the Babylonian star groups
into a practical system for navigation.
But the Minoan civilization was wiped out around 1700 BC by the explosive eruption of a volcano on the island of Thera about 120 km north
of Crete. It was one of the greatest natural catastrophes in the history of
civilization, the probable origin of the legend of Atlantis. Professor Roy
supposes that Minoan refugees brought their knowledge of the stars to Egypt
after the eruption, where it was eventually encountered by Eudoxus in unchanged
form over a thousand years later.
Professor Roy’s thesis is an attractive one, for it is easy to imagine the Minoans utilizing
the Babylonian constellation system in the way that he describes. In addition,
many star myths are centred on Crete. However, it must be admitted that there
is no direct evidence, such as wall paintings or star lists like those of the
Babylonians, to demonstrate any Minoan interest in astronomy. So, for now, the
theory that the Minoans were middlemen to our constellation system remains
nothing more than an appealing speculation.
The mythographers
The Phaenomena of Aratus was an immensely popular poem and was later translated several times
into Latin. Medieval versions were highly illustrated. For our purposes the most useful version is a Latin adaptation of Aratus
attributed to Germanicus Caesar (15 BC–AD 19), which has more information about the identification of certain
constellations than Aratus’s original. According to the scholar D. B. Gain, this Latin version of the Phaenomena could have been written either by Germanicus himself or by his uncle (and
adoptive father) Tiberius Caesar, but in this book I refer to the author simply
as Germanicus.
After Aratus, the next landmark in our study of Greek constellation lore is
Eratosthenes (c.276–c.194 BC), to whom an essay called the Catasterisms is attributed. Eratosthenes was a Greek scientist and writer who worked in
Alexandria at the mouth of the Nile. The Catasterisms gives the mythology of 42 separate constellations (the Pleiades cluster is
treated individually), with a listing of the main stars in each figure. The
version of the Catasterisms that survives is only a summary of the original, made at some unknown date, and
it is not even certain that the original was written by the real Eratosthenes;
hence the author of the Catasterisms is usually referred to as pseudo-Eratosthenes. The antiquity of his sources is
certain, though, because he quotes in places from a long-lost work on astronomy
by Hesiod (c.700 BC).
Another influential source of constellation mythology is a book called Poetic Astronomy by a Roman author named Hyginus, apparently written in the second century AD. We do not know who Hyginus was, not even his full name – he was evidently not C. Julius Hyginus, a Roman writer of the first century BC. Poetic Astronomy is based on the constellations listed by Eratosthenes (Hyginus differs only by
including the Pleiades under Taurus), but it contains many additional stories.
Hyginus also wrote a compendium of general mythology called the Fabulae. In medieval and Renaissance times many illustrated versions of Hyginus’s writings on astronomy were produced.
Marcus Manilius, a Roman author of whom virtually nothing is known, wrote a book
called Astronomica around the year AD 15, clearly influenced by the Phaenomena of Aratus. Manilius’s book deals mostly with astrology rather than astronomy, but it contains
numerous insights into constellation lore and I have quoted him a number of
times.
The names of three other mythologists appear frequently on the following pages,
and although they are not astronomers they must be introduced before we return
to the history of the constellations. Foremost among them is the Roman poet
Ovid (43 BC–AD 17), who recounts many famous myths in his books the Metamorphoses, which deals with transformations of all kinds, and the Fasti, a treatise on the Roman calendar. Apollodorus was a Greek who compiled an
almost encyclopedic summary of myths known as the Library some time in the late first century BC or in the first century AD. Finally there is the Greek writer Apollonius Rhodius (Apollonius of Rhodes)
whose Argonautica, an epic poem on the voyage of Jason and the Argonauts composed in the third
century BC, includes much mythological information. These are the main sources for the
stories in this book.
Ptolemy’s 48 constellations
Greek astronomy reached its pinnacle with Ptolemy (c.AD 100–c.178) who worked in Alexandria, Egypt. Around AD 150, Ptolemy produced a summary of Greek astronomical knowledge usually known
by its later Arabic title of the Almagest. At its heart was a catalogue of over a thousand stars arranged into 48
constellations (see Table 1), with estimates of their brightness, based largely
on the observations of the Greek astronomer Hipparchus three centuries earlier.
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Ptolemy did not identify the stars in his catalogue by means of Greek letters, as astronomers do today, but described their position within each constellation figure. For instance, the star in Taurus which Ptolemy referred to as “the reddish one on the southern eye” is known today as Aldebaran. At times, this system became cumbersome: “The northernmost of the two stars close together over the little shield in the poop” is how Ptolemy struggled to identify a star (now called Xi Puppis) in the obsolete constellation of Argo.
The tradition of describing stars by their positions within a constellation had
already been established by Eratosthenes and Hipparchus. Clearly, the Greeks
regarded the constellations not merely as assemblages of stars but as true
pictures in the sky. Identification would have been easier if they had given
the stars individual names, but Ptolemy added only four stars to those named by
Aratus four centuries earlier: Altair (which Ptolemy called Aetus, meaning
eagle); Antares; Regulus (which he called Basiliscus); and Vega (which he
called Lyra, the same name as its constellation).
It would be difficult to overemphasize the influence of Ptolemy on astronomy;
the constellation system we use today is essentially Ptolemy’s, modified and extended. Mapmakers in Europe and Arabia used his constellation
figures for over 1500 years, witness this passage from the preface to the Atlas Coelestis by the first Astronomer Royal, John Flamsteed, published in 1729:
“From Ptolemy’s time to ours the names that he made use of have been continued by the
ingenious and learned men of all nations; the Arabians always used his forms
and names of the constellations; the old Latin catalogues of the fixed stars
use the same; Copernicus’s catalogue and Tycho Brahe’s use the same; so do the catalogues published in the German, Italian, Spanish,
Portuguese, French and English languages. All the observations of the ancients
and moderns make use of Ptolemy’s forms of the constellations and names of the stars so that there is a
necessity of adhering to them, that we may not render the old observations
unintelligible by altering or departing from them.”
Arabic influences
After Ptolemy, Greek astronomy went into permanent eclipse. By the eighth
century AD the centre of astronomy had moved east from Alexandria to Baghdad where Ptolemy’s work was translated into Arabic and received the name Almagest by which we still know it. Al-Ṣūfī (AD 903–86), one of the greatest Arabic astronomers (also known by the Latinized name of
Azophi), produced his own version of the star catalogue in the Almagest called the Book of the Fixed Stars in which he introduced many Arabic star names.
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Some of the Arabic names were already so many centuries old that their meanings
were lost even to al-Ṣūfī and his contemporaries, and they remain unknown today. Other star names used
by al-Ṣūfī and his compatriots were direct translations of Ptolemy’s descriptions. For example, the star name Fomalhaut comes from the Arabic
meaning “mouth of the southern fish”, which is where Ptolemy had described it in the Almagest.
Another rich source of Arabic star names were astrolabes, star-finding devices like a flattened celestial sphere invented by the Greeks
but developed to the height of sophistication by the Arabs. Each astrolabe had
a rotating disk with decorative pointers that indicated the positions of
various bright stars, the names of which were engraved on the pointer to assist
identification.
From the tenth century onwards, the translated works of Ptolemy were
reintroduced into Europe by Islamic Arab incursions. There they were re-translated from Arabic into Latin, the scientific language of the day. The Spanish city of Toledo, in particular,
is said to have become a veritable translation factory during the 12th century
and scholars flocked there from all over western Europe to study the marvellous
new works – not just on astronomy but mathematics and all other branches of science. So it
is through this roundabout route of old Greek writings being transmitted
through Arabic hands and then translated back into Latin in Europe in the
middle ages that we have ended up with a polyglot system of Greek
constellations with Latin names containing stars with a mixture of Arabic and
Greek titles.
© Ian Ridpath. All rights reserved